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Who Will You Believe

by Pernice Brothers

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Damon Dorsey
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Damon Dorsey I'm so excited for the full release of this album. These two preview tracks are wonderful. "December in Her Eyes" is so slinky and moved me so much I slid out of my chair listening to it. Thoughtful writing and gorgeous, captivating music--this sounds like an amazing artist firing on all cylinders. Favorite track: December in Her Eyes.
e6gMan
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e6gMan Adding Neko? What else can I say? Favorite track: I Don't Need That Anymore (feat. Neko Case).
jpugdawg
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jpugdawg It’s 3:30 am , I’m driving to work on a snowy slippery Massachusetts morning listening to December in Her Eyes for the first time . It’s the perfect moment for this song and it’s setting the stage for my day. Not going to lie , I played it three times in a row. Just like I did when I was a kid with my portable record player and my Box Tops 45s in the back seat of my dad’s Plymouth Fury so many years ago .
Some serious Bacharach grooves coming through on this one too. Buy this now .
Henry Lipput
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Henry Lipput "December in Her Eyes" is gorgeous and sounds like classic Pernice. Favorite track: December in Her Eyes.
berussell
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berussell First exposure to Pernice Brothers - and this album is a keeper! The rhythmn and vocals propel you forward iand focused n a good way. I plan on using this on my daily commute when I can surround myself in sound
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    - 12", 1-LP
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    - 12", 1-LP

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1.
Who Will You Believe I knew a beggar who said she heard a higher calling. She bought a jet plane even though the sky is falling. Who will you believe? Who will you believe? His eyes are clearer, truer, bluer than the ocean. But what’s behind them you don’t have a foggy notion. Who will you believe? Who will you believe? I fell in love. I fell in love. I fell in love with the possible world. I fell in love. I fell in love. I fell in love with the possible world. Then I smashed my heart against the stones. So, don’t cash out ‘cause some rumor says it’s over. Look here, I stagger, but I swear to God I’m sober. Who will you believe? Who will you believe? I fell in love. I fell in love. I fell in love with the possible world. Who will you believe?
2.
Look Alive 03:11
Look Alive And if my hair won’t comb, you can read my homage to a love poem. If it’s all a long con, you can fish my money from a coy pond. At best a shaky maybe. Strumming the old banjo, baby. Choking out a song never meant to be. And if my breath won’t fog, you can rub my scent into a good dog. And if my screw won’t snug, you can roll my soul up in a throw rug. At best a shaky maybe. Strumming the old banjo, baby. Snuffing out a torch that was held for me. I wish I could sing that song. I wish I could sing that song. The one that makes the ordinary extraordinaire. I wish I was here. Play A Love Supreme when I’m but a dream. You can clip a little off the top, that’s fine. But don’t rouge my cheeks. I’ll never look alive. And if that chain won’t reach, you can sail my coffin on a tar beach. And if my death won’t take, slip a sharp mill-bastard in a pound cake. At best a shaky maybe. Strumming the old banjo, baby. Snuffing out a tune never meant to be. I wish I could sing that song. I wish I could sing that song. The one that makes the ordinary extraordinaire. I wish I could sing that song.
3.
Not This Pig 02:38
Not This Pig I remember when you spoke with gravitas, with care and eloquence. It’s so embarrassing to hear you now. It’s so embarrassing to hear you now. Once an undiscovered star. You’re just another clown crammed in a tiny car. It’s so embarrassing to see you now. It’s so embarrassing to see you now. How weird to think we once believed a rib might cleave and grow into you and me. Your pigeon lighted on my limb as I was grieving and read me poetry. All the best, old friend. You’ll never lead this pig to market with a pen. It’s so embarrassing to see you now. It’s so embarrassing.
4.
What We Had 03:59
What We Had She likes to wade across a crowded room and feel the eyes. She doesn’t think she cares, with every move she’d cross the line. I can see the way it’s playing out. It’s a comedy of errors, but it’s sad. I think of what we had. It’s hard to watch good love go bad. He likes to press the breath of someone else into his clothes. He likes to go until the morning says, it’s time to go. I can see the way it’s playing out. It’s a comedy of errors, but it’s sad. I think of what we had. It’s hard to watch good love go bad. I think of what we had. Oh, call it tragic for the way a spotlight brights the cruel and not the kind. Oh, call it destiny for the mark it left on me because I see it all the time. See it all the time. I can see the way it’s playing out. It’s a comedy of errors, but it’s sad. I think of what we had. It’s hard to watch good love go bad. I think of what we had. It’s hard to watch good love go bad. I think of what we had.
5.
December in Her Eyes Hey man, I hate to leave you a message, but I don’t know what to do. I’m happy for you now you’re seeing somebody, and I don’t want to be a drag on you. But I can’t eat. I can’t sleep or see no one. All I do is fret and pace all day. I thought that maybe you could try and talk to her ‘cause she always liked you’s what she said. We’ve been friends for so long, I would tell you that I might break down and cry. I hope you can find her and find out ‘cause I swear I don’t know why she’s got December in her eyes. She’s got December in her eyes, she’s got December in her eyes. I wish I knew why. Sorry man, I can be so long-winded. And I’m no good at talking on a phone. I really should have dragged myself downtown to see you, but I know you’re probably not alone. I hope you can find her and find out ‘cause I swear I don’t know why she’s got December in her eyes. She’s got December in her eyes, she’s got December in her eyes. I wish I knew why.
6.
A Song for Sir Robert Helpmann (instrumental)
7.
Hey, Guitar 03:53
Hey, Guitar I was king taken down by a broken string. My sister’s clothes, in a mirror I’d pose. ’Tis of thee I sing. Eighty-three, like a boss come to bully me. Wound so tight, full of fear and fight. It put this song in me. Pray for a summer love to come and thrill me. Pray to god the atom bomb don’t kill me. Pray I wake to find the boredom broke like a fever dream. Hey, guitar. Hold me up. I might fall apart. Hey, guitar. Hold me up. I might fall apart. Hey, guitar. Let me see your scar. Tune me up and turn me on. Amen. Pray for a summer love to come and thrill me. Pray to god the atom bomb don’t kill me. Pray I wake to find the boredom broke like a fever dream. Hey, guitar. Hold me up. I might fall apart. Hey, guitar. Hold me up. I might fall apart. Hey, guitar. Let me see your scar. Tune me up and turn me on. Amen. Hey, guitar.
8.
A Man of Means I wouldn’t bet she couldn’t lasso you the moon. I don’t advise you go to sleep on her too soon. She’s a man of means. She’s a man of means. She’s a man of means like this world has never seen. She won’t be led by a vendetta or by love. She’ll whip her caucus in a Cucinelli glove. She’s a man of means. She’s a man of means. She’s a man of means like this world has never seen. Do it. Did it. Done it. Do-it-did-it-done-it-do-it-did-it-done-it. Do it. Did it. Done it. Do-it-did-it-done-it-do-it-did-it-done-it. Her name will show up chiseled in a marble frieze. She’ll beg to differ. It won’t be down on her knees. She’s a man of means. She’s a man of means. She’s a man of means like this world has never seen. Roll over, boys. Here comes the queen. She’s a man of means.
9.
I Don’t Need That Anymore Oh, I close my eyes and still can see the picture of the day on which you came. You were neon trouble. All wreck and rubble. Calmest eyes of any hurricane. Oh, you could charm a dead man from his coffin and leave him begging on the floor. I’m glad I had it when I needed it. I don’t think I need that anymore. You were shy and lonely. Yeah, if only. Go check your notes, ‘cause I checked mine. You were some bullshitter. Pick of the litter, with a trophy never far behind. Oh, you could soothe me like a long, cool water. Now I’m more thirsty than before. I’m glad I had it when I needed it. I don’t think I need that anymore. I’m glad I had it when I needed it. I don’t think I need that anymore. We had some heady times in between the sheets and lines. Much more than we came for. But then we lost a thing, like gilding off a wedding ring. I don’t feel the pull of sirens singing anymore. It’s a fool who’ll tell you love is simple, and less is almost always more. I’m glad I had it when I needed it. I don’t think I need that anymore. I’m glad I had it when I needed it. I don’t think I need that anymore. I’m glad I had it when I needed it. I don’t think I need that anymore.
10.
Ordinary Goldmine This is no ordinary goldmine. I would never raise my voice or hand to. Last call for alcohol. Two vodkas and lime. Tell me where. I swear I’d be on-time. You can’t be sure how deep this cut goes. But I believe you slashed right through me. It’s been so long I can’t remember how to read the cues or signs. Tell me where. I swear I’d be on-time. You in my coat makes the night feel warmer. You in my coat makes your black sun shine. I’d keep it there with mine. It’s been so long I can’t stop shaking like a thief before the crime. Tell me where. I swear I’d be on-time. Tell me where. I swear I’d be on-time. Tell me where. I swear I’d be on-time.
11.
How Will We Sleep I’m no man’s idol and no man’s my king. I was born on the pause of a pendulum swing. My father was quiet. My mother would sing: If you found love in life, you’ve found everything. Oh, how will we sleep to the crash and the clang, as the hell-bent hell fires burn on in our names? How will we live: By the dove or the blade? Will we keep our eyes closed as the dream slips away? I take my hit. I take my bitter pill. But I still spare the rod and the in-for-the-kill. What comes in on a temper goes out on a chill. Do we learn from our past, or just say that we will? Oh, how will we sleep to the crash and the clang, as the hell-bent hell fires burn on in our names? How will we live: By the dove or the blade? Will we keep our eyes closed as the dream slips away? Oh, I love my baby. And I love my son. But I won’t hold my breath. And I won’t hold my tongue. Growing old seemed like death to me when I was young. Now I want to grow old. And I want to belong. Oh, how will we sleep to the crash and the clang, as the hell-bent hell fires burn on in our names? How will we live: By the dove or the blade? Will we keep our eyes closed as the dream slips away? Will we keep our eyes closed as the dream slips away? Will we keep our eyes closed as the dream slips away?
12.
The Purple Rain If you were here we could hang out all night and wash our rags till they were almost white. I stopped there on my way, but it didn’t feel right. No longer knew a soul. No soul knew me. I never called you, and you never came. I stayed a couple streets away from blame. Hole up in a poem made of pith and pain. I often read the end before the start. I remember you to her sea-bound train. Remember you to her fruited plains. Purple mountains in purple rain won’t always separate the shining seas. Here’s a man one heartbeat from a ghost. Here’s a vein, it spiders coast to coast. One thousand quiet cuts, and I do believe we’re close. Been bleeding out for years and years and years. I remember you to her sea-bound train. Remember you to her fruited plains. Purple mountains in purple rain won’t always separate the shining seas. Remember me to her sea-bound train. Remember me to her fruited plains. Purple mountains in purple rain won’t always separate the shining seas. The wake is washing over me.

about

Joe Pernice has been writing for a long time—most of his life, in fact—and has crafted a remarkable catalog that boldly reinterprets and recasts classic American pop. Who Will You Believe may be his most moving and nuanced album yet; it’s certainly his timeliest. “These songs were all written during the same time period,” he says, “and they all seemed to tap into a mood I was in at the time. I go through spells where I’m a certain way for three or four months. I might be more reticent than usual, or more outgoing. With all of my records—and especially with this one—the songs all feel like they belong together, probably because they all arrived during the same stretch of time.”

In a single six-month stretch he was left reeling from the deaths of three close friends, including David Berman, poet and songwriter for Silver Jews and Purple Mountains, and Gary Stewart, the Rhino Records co-founder and tireless Pernice Brothers supporter since their first album in 1998. “That was such a bad patch when David and Gary both took their own lives. And my cousin Joe Harvard, who started Fort Apache Studios in Boston and was like a brother to me—he died, too. It was such a tough year. I was thinking about them a lot and watching how divided America had become. I was doing my best to try and take nothing for granted.”

Pernice has been releasing albums for over 25 years. And with age comes a greater patience and an immense appreciation for the act of creation. Who Will You Believe showcases a beautiful balance between such sadness and moments of solemnity with warm humor and camaraderie.

credits

released April 5, 2024

______________________




Produced by Joe Pernice
Engineered and Mixed by Michael McKenzie, Liam Jaeger, and Joe Pernice, Toronto, ON
Additional engineering by Jeff Galegher at Carnassial Sound
Mastered by Jeff Lipton and Maria Rice at Peerless Mastering, Boston, MA
Assistant Mastering Engineer: Costanza Tinti


A&R: Brady Brock
Art Direction by Chad Pelton
Photography by Colleen Nicholson


______________




All songs by Joe Pernice
Bony Gap Music (BMI)




________________




Joe Pernice: vocals, guitar, bass, keyboards, and percussion
Michael McKenzie: guitar, bass, keyboards, and percussion
Liam Jaeger: vocals, guitar, bass, keyboards, drums, and percussion
Patrick Berkery: drums and percussion
Michael Belitsky: drums and percussion
Peyton Pinkerton: guitar
Bob Pernice: guitar


with:
Neko Case: vocals on "I Don't Need That Anymore"
Andrew Joslyn: violin and viola
Joshua Karp: trumpet
Greg Kramer: trombone
Mike Evin: piano
Choir! Choir! Choir!: vocals
Laura Stein: vocals
Jennifer Pierce: vocals
Stephen Dyte: trumpet
Christian Overton: trombone
Julian Nali: saxophone
Jon Brooks: guitar
Matthew Zapruder: guitar


Strings arranged by Andrew Joslyn
Choir arranged by Daveed Goldman, Nobu Adilman, and Joe Pernice


Neko Case appears courtesy of ANTI- Records




________________




In addition to all of the great musicians and technicians who are part of this album, special thanks go to:
Joyce Linehan; Brady Brock, John Allen, Meg Barron, George Fontaine, Sr., and all at New West Records; Mike Leahy and all at Concerted Efforts; Sammy Pernice and the entire Pernice and Stein clans; Rachel Lichtman for her friendship and tireless, spot-on feedback; James Walbourne; Steph Egerton; Skeg Kendall; James Creeggan; Neal Huff; Dan Lambert; David Stock; Glen Quinn; Theo Kelsey-Verdecchia; Brockton Cyclery; Red House Music Academy; Dan Springer; Trevor Angst; David Colburn; Jamie Tucker; Kit Tuttle; J Talerman; Bill Janovitz, and Richard Bonanno.


For Joyce
______________________

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Pernice Brothers Boston, Massachusetts

Joe Pernice formed Pernice Brothers in Massachusetts with his brother Bob in 1997 when Joe was playing with his band the Scud Mountain Boys. The Scuds disbanded later that year, and Pernice Brothers became Joe’s main musical focus. Their debut release was the '97 Monkey Suit 7” on Sub Pop, followed by the LP Overcome by Happiness in '98.
Pernice & Linehan launched their Ashmont Records in '99.
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